On top of the Japanese lettering are the video game’s English name in italics and its serial number. Now their flame is concentrated in the center, and darkening in the form of puffs of smoke are visible along the edges. 2004īackground hieroglyphs have become more open, easy to read, and glossy. “KK” is on top of each other, both “E” rest against the next sign, and the right side of “T” is not visible at all. The smallest one is the inscription “Tekken.” It is made up of printed letters placed back to back. The gray hieroglyphs are so large that they almost merge into a single background. Next in size is the name of the video game in Japanese. It is complemented by sharp corners and a very short stem. The number “4” occupies almost the entire front part of the logo. In this version, the same elements, but grouped in a completely different way. The third detail is the classic number “3”, decorated with a stencil inscription. The second part is the word “Tekken,” made in the original style – with curly legs and long serifs. The first element has no clear strokes: it looks more like two solid red spots with white lightning and a gradient from crimson to scarlet. This year’s logo comprises three parts: a background in the form of a hieroglyphic inscription, the name of the game in English, and a serial number. They are made with thin elongated lines and decorated with a gradient transition from black to light gray. At the bottom left is the English word “Tekken” and the number “2”. Squares, rectangles, and wide stripes form a formidable inscription in Japanese, rendered in the form of brickwork with black splashes on a reddish-red background. In the drawing, this is conveyed by the geometric shapes of which the hieroglyphs are composed. His style was redesigned: he became more rigid, principled, unshakable. The second issue came out under a radically different logo. The word “Tekken” is in uppercase and is colored black. Below is the English version, consisting of small characters in an individual design. Along the edges, they are outlined with thin black lines separated by a white stripe, which makes the inscription three-dimensional. This is evidenced by the torn train at the ends of some letters. ![]() ![]() The red hieroglyphs are executed with broad strokes, imitating the stroke of a brush. The first emblem contains the name in Japanese.
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